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17TH MAY 2008
(45-MINUTE EPISODE)
Whilst this
episode may not rival The Shakespeare Code in terms of its dramatic
weight, as a piece of entertainment it certainly holds its own
against the best of them. And despite the story’s intrinsic humour, The
Unicorn and the Wasp can’t simply be dismissed as a farce; Gareth
Roberts’ script is every bit as well crafted as his script for The
Shakes-peare Code was, exploiting a real-life mystery for the sake of
drama.
“It’s the day Agatha Christie disappeared…”
When writing for
the Bard, Roberts inventively decided to play upon the intrigue
surrounding his missing play, Love’s Labour’s Won. In the
same way here, Roberts sets his ‘the Doctor meets Agatha Christie’ story on
the day that the novelist scandalously disappeared for ten days. Where the
real world cannot offer an explanation, Doctor Who once again plugs
the gap…
I think the most
outstanding thing about The Unicorn and the Wasp is that
it manages
to feel as much like an Agatha Christie Whodunit as it does a Doctor
Who episode. Roberts’ script is littered with secrets and motives and
red herrings, not to mention a beautiful dénouement where Christie
and the Doctor
gather the suspects so that the murderer may be
revealed. Furthermore, the very title of the episode reeks of the genre, and even the
rather incongruous presence
of a giant wasp feels appropriate in a wacky
sort of way, as the same was
famously emblazoned on the front cover of Christie’s 1935 Poirot novel
Death in the Clouds.
“But think about it. There’s a murder; a mystery; and Agatha Christie…
That’s like meeting Charles Dickens surrounded by ghosts at Christmas.”
More than that
though, director Graeme Harper
has truly excelled himself in the shooting
of this episode. The flashback sequences; some
of
the zooming head-on camera shots employed;
the effective
use of Murray Gold’s wholly apt
score – it all feels so stereotypically “Christie-
ish”,
particularly to those like myself who are not
especially au fait
with her work and are thus not
in a position to
nitpick. Harper even manages
to make a 20mph
car chase work – no small
feat in 2008!
Of course, it’s
hard to discuss an episode
entitled The Unicorn and the Wasp
without reference to its titular creatures. And though
I must confess to
having felt slightly let down
at this episode’s distinct lack of
unicorn, this small grumble was more than made up for by
both Felicity
Jones’ charismatic east-end jewel
thief (“the
Unicorn”) and also a rather stunning
piece of CGI by the Mill – the Vespiform
(for
all intents and
purposes, a giant wasp).
“This whole
thing is being acted out like a murder mystery.”
Now bearing in
mind that many of the characters in this episode are written as deliberate
clichés - parodies, even – the cast have to be given a hell of a lot of
credit. With actors the calibre of Christopher Benjamin (an actor held in
high esteem by Doctor Who fans thanks
to his
extraordinary performance as Henry Gordon Jago in 1977’s Talons of Weng-Chiang)
and Felicity Kendal on hand, even the most intentionally cheesy
Cluedo-esque characters are imbued with a little bit of a heart and a hell
of a lot of humour. As the writer himself put it, “there’s really nothing
nicer than watching a lot of English actors hamming it up in a vaguely
exotic location... and then somebody’s murdered!”
Indeed, I think
that this story proves that Roberts’ customary style and wit is best
suited to the vibrant and visceral medium of television. I get so much
more out of seeing his characters brought to life
in front of me
than I do reading about them on the page.
As
one might expect, the standout performer here is Fenella Woolgar as Christie (a
casting suggestion of David Tennant’s, I understand, as was the casting of
his own father as a foot-man!) Woolgar may not be the spitting image of Christie, but
again from the point of view of someone who doesn’t know all that much
about history’s best-selling novelist, she looks and acts precisely like I
expected Christie would have; her looks and even her manner are
extra-ordinarily distinctive.
“Time is in flux, Donna. For all we know this is the night Agatha Christie
loses her life.”
Fair dues
though, Christie is the one character in the whole episode (save for the
Doctor
and Donna) that is given any
sort of depth. Like Dickens and Shakespeare before her, the legendary
writer’s demons are explored without any punches being pulled. Her
husband’s infidelity and even the low opinion that Christie has about her
own works are both explored through both Roberts’ script and Woolgar’s first-class performance.
For the regulars
though, The Unicorn and the Wasp is simply good old-fashioned fun.
After a few heavy episodes for their characters, it’s rather
refreshing to see David Tennant and Catherine Tate both kicking back and
enjoying a rip-roaring caper the likes of Partners in Crime. The
scene in the kitchen where the Doctor tries to “detox” following his
poisoning stands out above all else; not due to the now annual
Doctor / companion snog, but due to
the sheer hilarity of it - the whole
sequence is pure gold! “I must do that more often”, says
the Doctor,
before he registers the look of trepidation on Donna’s face. “I mean, the detox”.
“Miss Noble is the plucky young girl who assists me.”
That said, the
story’s final scenes are not without their resonance. In saving the day,
Donna condemns the Vespiform to a watery grave, prompting a stern
reprimand from the Doctor who lectures her on how the creature “couldn’t
help it”. In response, Donna retorts “neither could I”. Wonderful stuff.
And so all told,
The Unicorn and the Wasp continues what is becoming a very long and
unbroken line of very good episodes. Far from traditional and far from
predictable, Gareth Roberts’ second script for the revived series will keep you guessing
throughout as well as thoroughly entertained.
On a final note,
I’m pleased to see that Doctor Who has been returned to its native
7.00pm slot – something that I can already see (from the overnight
ratings) has resulted in an upturn in the viewing figures. Lamentably
though, there will not be any Doctor Who at 7.00pm next week thanks
to bloody Eurovision once again. Two years in a row now! I can’t
believe that in this marvellous age of multi-channel digital television
quality shows like Doctor Who have to be pulled “to make room” for
the likes of Eurovision! This country…
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