PREVIOUS

NEXT

 JULY 2011

(2 EPISODES)

July’s audio exclusive comes from the pen of children’s screenwriter Darren Jones, whose credits range from Pinky and Perky all the way up to Dennis and Gnasher. Just like March’s Gemini Contagion, this project began at the Cheltenham Screenwriters’ Festival in 2009, where its would-be author “accosted” someone at BBC Audio, whom he then pursued with a pitch that would eventually become The Eye of the Jungle.

As well as introducing a new voice to the Whoniverse, The Eye of the Jungle is also notable for a few further reasons. Most palpably, it is the first eleventh Doctor exclusive to span two CDs – albeit only just. With a running time of around ninety-five minutes, Jones’ story is split into two near television-length episodes, each of which is housed on its own disc. This more easily-digestible format is certainly welcome, but I think that it would have been even better still had John Ainsworth been a little more brutal in his script editing and trimmed away enough of the fat to leave us with both the episodes on a single disc, as was the case with last year’s Dead Air. It would have probably saved the Beeb a few quid too.

Secondly, The Eye of the Jungle is the first audio book to feature Rory, who has been a mainstay of BBC Books’ flagship novel range ever since its second batch of releases. As a huge supporter of the Mr and Mrs Pond team (“Williams!” they both cried in unison…), I was interested to see how well their relationship would translate into this medium, and in particular whether the author would be able to capture the frenetic force of Karen Gillan and Arthur Williams’ performances. Happily he manages it, together with that sense of guiltless gaucherie that pervades every awkward Amy / Rory / Doctor ménage à trois skit on telly.

Most notably of all though, the script is performed by David Troughton, who as well as having a very long and impressive line of Doctor Who credits to his name, just happens to sound uncannily like his late father, who played the second Doctor in the 1960s. As a result we have one of the most curious readings in the whole range – Troughton’s eleventh Doctor is extraordinarily evocative of his late father’s second, particularly as these two incarnations share so many traits. It certainly makes for an intriguing, not to mention quite haunting, listen. As expected Troughton also excels in many of the other roles required of him, especially the characters that he is given full reign over. The fanatical Jaguar hunter Blazington is the actor’s finest portrayal in the piece, but he also convincingly breathes life into characters as sundry as an unscrupulous naturalist; a crippled alien geneticist; and even a young female ward of an Amazonian Church.

Turning to the story itself, Jones’ plot is solid, if a little conventional. The first half amounts to a properly peril-filled poke around the Amazonian rainforest in the early 19th century, whilst the second episode sees the action shift to a dilapidated space station in geo-stationary orbit, where a besieged alien race are trying to harvest the genes of Earth’s most ferocious creatures to create the ultimate warrior to win their war back home. The writer clearly had great fun in scripting the story’s later scenes, as his antagonists crudely splice the genes of alligators with those of arachnids and even a certain Time Lord to ghastly effect. There are moments towards the end here that I doubt would ever make it onto telly pre-watershed.

On the downside though, The Eye of the Jungle is a little too leisurely paced in places, and anyone with a decent grounding in Doctor Who formula will unavoidably find themselves a step ahead of the narrative all the way along. For the children and teens that this release is aimed at, however, The Eye of the Jungle is sure to be another winner – just not one to listen to with the lights out.