WRITTEN BY

SIMON MESSINGHAM

 

RECOMMENDED 

PURCHASE

BBC PAPERBACK

(ISBN 0-563 48623-6) RELEASED IN NOVEMBER 2004.

 

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The Myloki: mysterious aliens from beyond Space and Time.

 

Their target: EARTH.

 

The human defenders of PRISM are enmeshed in a doomed interstellar war against an unknowable invader armed with the power to possess, duplicate and destroy from within.

 

Only one man stands in their way. A man destiny has made indestructible.

 

Against all odds the legendary Indestructible Man saves the Earth but victory comes at the highest price. The world economy collapses, governments crumble and PRISM itself is torn apart by a best-selling exposé.

 

BUT NOW The Myloki may just have returned. And who is left to stop them?

 

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The

Indestructible Man

NOVEMBER 2004

 

 

                                                       

 

 

After the Doctor’s relatively recent foray into the animated world of The Simpsons in Dave Stone’s novel Heart of TARDIS, I wasn’t really all that surprised to find the marionette world of Gerry Anderson encroaching upon the monochrome pages of Simon Messingham’s Indestructible Man. The book’s tone, however, did take me by surprise - particularly so, given Black Sheep’s garish cover artwork. Going into this novel with predetermined ideas of spaceships and gadgets and shiny green spaceships, I was astonished to find Messingham’s tale an unremittingly grim one.

 

The Earth of the late 21st century is recovering from the invasion of a mysterious species, the Myloki. The world is plagued by hyperinflation and poverty; many of its inhabitants reduced to lives of slavery and suffering. And, as if that were not enough, Messingham throws in pair of imperishable bionic supersoldiers that the Myloki have helpfully turned into psychopathic killers.

 

Yet peculiarly, the above is grounded in a world of puppet-like burlesque. Whilst I’ve never watched Thunderbirds or indeed any of Anderson’s popular puppet series, like most people I’m familiar with the basic tenets and so am able to appreciate at least some of this novel’s references. For instance, The Indestructible Man is abounding with Anderson-esque organisations such as PRISM, SILOET, and – best of all – SEWARD. Messingham has certainly mastered Anderson’s gift for memorable, and even somewhat wry, acronyms.

 

Messingham also handles the regulars well, The Indestructible Man heaving misery onto the Doctor, Jamie and Zoe in fairly equal measure. Jamie’s misadventure is on the face of it the most disturbing of the three, but in his delirium he strays so far from what I recognise as ‘Jamie’ that in the end I found it difficult to care. Zoe, on the other hand, is subjected to another Final Sanction-style psychological ordeal, albeit with a slight shift of emphasis. Believing the Doctor to be dead, Zoe is forced to grind out a new life for herself as a privileged slave. A privileged slave with a fiancée…

 

“I didn’t do a very good job of it did I? Getting shot right away!”

 

The Doctor is characterised best of all though; Messingham’s portrayal is Patrick Troughton through and through, regardless of the world falling apart around him. It’s interesting that many of the novels to best capture Troughton’s Doctor have been the most forbidding – the result of the brutal juxtaposition of the darkness and the light, perhaps?

 

On the whole though, The Indestructible Man isn’t a novel that I’d recommend. The author’s style and structure may be more straightforward than usual here (traditionally omniscient, save for a few dips into Neville Verdana’s Message is Clear), but sadly I found his story to be far from the same. Whilst I’m sure that most Captain Scarlet devotees will merrily saunter their way through this one, much of the material was lost on me - all I had to ‘enjoy’ was watching the TARDIS crew suffer. The only real hook for me was the mysterious Myloki; the author does a tremendous job of building up the hype around them throughout… only for the novel to end without them even making an appearance. For me, that just about sums this one up.

 

Copyright © E.G. Wolverson 2006

 

E.G. Wolverson has asserted his right under the Copyright, Design

 and Patents Act 1988, to be identified as the author of this work.

 

  

This novel’s blurb offers no clues as to its placement, however the text describes Zoe wearing the distinctive jumpsuit that she did in the television serial The Invasion. We have therefore placed it shortly after that story.

 

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