STORY PLACEMENT THIS STORY TAKES
PLACE BETWEEN THE
WRITTEN BY LOUISE COOPER
RECOMMENDED PURCHASE OFFICIAL TELOS DELUXE HARDBACK (ISBN 1-903 889-13-8) RELEASED IN JANUARY 2003.
BLURB Unsettling things are HAPPENING in a sleepy Cornish village.
THERE ARE Strangers IN the harbour and a mysterious object is retrieved from the sea. Then the locals start getting sick.
Could this have anything to do with the beautiful Ruth who local boatman Steve has taken a shine to? And why is Ruth both drawn and terrified by the sea?
The Doctor is perhaps the only person who can help, but can he discover the truth in time? |
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Rip Tide JANUARY 2003
Before reading Rip Tide, I had wondered what its ‘gimmick’ was going to be. For better or worse, the preceding Telos novellas had each had an extraordinary quality that set them apart from the preponderance of Doctor Who prose out there, but ostensibly this one looked like it was going to be a wholly traditional, Earthbound adventure.
However, fantasy author Louise Cooper’s relatively lengthy novelette is in some respects the most divergent of the first six releases. Completely devoid of any sort of malignancy, Rip Tide is a Doctor Who tale without a monster; without a villain of any sort, in fact. Even Paul McGann’s exuberant eighth Doctor is so at ease that he casts off his customary Wild Bill Hickock garb to don his beachwear.
What I found really remarkable about this book though is that Cooper still manages to make her story both absorbing and suspenseful, laden as it is with dangers and mysteries. Indeed, despite the dearth of monsters and villains, my attention didn’t wane at all; a testament to the strength of her protagonists.
Cooper’s main character, Nina, is a typically neurotic seventeen year-old girl - a fact that is sure to put a good few readers off this one on principal. But I found Cooper’s portrayal of the young lady compelling and insightful, particularly in how the odd affection-triangle between her; her brother; and his inscrutable lady friend, Ruth; is fleshed out. The story’s quite tender climax even has something a moral to it as it brings Nina’s teenage hang-ups into sharp focus, contrasting them against real problems.
I think what stands out about Rip Tide above all else though is Cooper’s peerless portrayal of the Cornish coast. Her passion not only for the place itself, but also for the way of life that goes hand in hand with it, is evident on almost every page, lending her story a real vigour. Of course, Doctor Who meets Echo Beach isn’t going to be for everyone, but I certainly enjoy-ed the freshness of it.
Turning to the rest of the Telos trappings, I have been fortunate enough to track down a deluxe edition of this book, and it really is something to look at. The dark blue, embossed cover is refined and striking (a remarkable improvement upon the appalling, sky blue binding of Foreign Devils) and – although I had to flick to behind the foreword to find it, causing me a momentary panic - Fred Gambino’s frontispiece continues the range’s long line of dramatic (if not entirely representative) illustrations.
And this time, the foreword is from Stephen Gallagher, writer of the television serials Warriors’ Gate and Terminus – two serials that I don’t have much time for, to be honest, and two serials that are about as far from Rip Tide as you can get. And in a sense, that’s the beauty of it: this foreword sees Gallagher wax lyrical about how the best Doctor Who stories are those that find fear in the familiar, something that his two hard science-fiction concept pieces never did, but something that Rip Tide excels in doing.
Overall then, these Telos novellas really seem to be provoking polarised reactions from me; one contentious idea earning my scorn only for another to blow me away completely. And Rip Tide, I’m pleased to say, firmly falls into the latter category. A little gem.
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Copyright © E.G. Wolverson 2009
E.G. Wolverson has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work. |
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This story is hard to place with any certainty. The only clues offered are that the Doctor is travelling alone, apparently has his memories in tact, and refers to Gallifrey in the present tense. It has therefore been placed (rather arbitrarily) after the Big Finish audio drama The Girl Who Never Was.
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