STORY PLACEMENT THIS EPISODE TAKES PLACE BETWEEN THE BIG FINISH AUDIO DRAMAS "BRAVE NEW TOWN" AND "GRAND THEFT COSMOS."
WRITTEN BY MARC PLATT
DIRECTED BY BARNABY EDWARDS
RECOMMENDED PURCHASE BIG FINISH 8TH DOCTOR CD#2.4 (ISBN 1-84435- 307-1) RELEASED IN APRIL 2008.
BLURB
IN THE
BLUE DESERT
OF
INDIGO 3 lies the
Sanctuary
of Imper-
fect
Symmetry. It
is
a
place of reflection.
AND
a place of death.
Something
has found
its way inside
the
hallowed
walls.
Something
with a
leathery
hide, a
snout
and sharp
pointy
teeth. Tick
tock.
Here comes
the
crocodile... |
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The Skull of Sobek APRIL 2008 (50-MINUTE EPISODE)
According to this episode’s writer, Marc Platt, The Skull of Sobek is all “about not quite maintaining the balance of the universe…” That, and some walking, talking, limb-munching crocodiles…
Indeed, for the most part Platt’s episode has its tongue firmly planted in its cheek. Take the episode’s principal monsters, for example. Although the Crocodillians are, in truth, fairly well-rounded and compellingly brutal protagonists, the very name of their race suggests a hint of underlying farce. Nonetheless, the bipedal Crocodiles are legitimately frightening at times; the author does a tremendous job of putting all of his own personal fears into Lucie. The fact that Lucie - this hard-nosed, rather blasé young lady who seldom shows fear - is terrified by the Crodillians really helps to sell them to the listener.
For me though, the most outstanding aspect of The Skull of Sobek is how it dwells beautifully on balance and symmetry, literally and figuratively. Whether Platt is building up a vivid picture of a geometrically-perfect world or exploring symbiosis through the Sanctuary, his story feels like it is saying so much about the nature of the universe – I’m just not quite sure what.
And what’s more - a bit like his last play, Valhalla – The Skull of Sobek is incredibly action-packed and dynamic, yet somehow it still manages to work on audio. The listener can see the symmetrical dunes. Can see Lucie running away from the novices so that she won’t have to her head shaved. Can see the Doctor being flung out of a window. Of course, much of the credit for this has to be given to the production team, but even so Platt’s script is remarkably well-suited not just to the audio medium but also to the tone of this frantic romp of a season.
“I’m not anybody’s champion!” - Time’s Champion
The Skull of Sobek features some fantastic performances too. Paul McGann and Sheridan Smith shine once again, as does Sean Biggerstaff (Shada) as the vile Crocodillian Snabb and Barbara Flynn as Sister Chalice. Big Finish’s cast lists have been so impressive of late, I think that I’m beginning to take their interminable conveyor belt of stars for granted. Here’s hoping that the conveyor belt keeps on rolling...
All told then, The Skull of Sobek is an enjoyable caper, beautifully executed in almost every way. In terms of magnitude, it’s closer to Valhalla and Ghost Light than it is Spare Parts or Platt’s Virgin novels; relentless fun, but not one that anyone will still be raving about it in ten years’ time.
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Copyright © E.G. Wolverson 2008
E.G. Wolverson has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work. |
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